The Art Career, "Roxanne Jackson: Beauty, Horror and Consciousness"
an interview with Emily McElwreath
October 6, 2022
“The love of my life is my studio practice.”
Listen to this podcast HERE
The Art Career, "Roxanne Jackson: Beauty, Horror and Consciousness"
an interview with Emily McElwreath
October 6, 2022
“The love of my life is my studio practice.”
Listen to this podcast HERE
Artlyst
“Tribeca and Noho’s Best Exhibitions an Equinox Excursion October 2022” by Ikla Skobie
September 25, 2022
"This wonderfully weird sculptural ceramics show centres on the classical amphora vase, now elevated and embellished with climbing creatures, chicken feet, chains, fungus and a proudly profiled cockatoo. Multilayered use of brilliant glazes creates glowing swathes of uninterrupted colour. The show can be viewed as Meissen energized by acid, a psychedelic cornucopia." LINK
Cool Hunting
“Studio Visit: Ceramicist Roxanne Jackson—Exploring the Dizzying and Paradoxical Elements that Converge in the Artist’s Latest Show at NYC’s The Hole” by Kelly Pau
September 8, 2022
"Roxanne Jackson’s latest exhibit Nature is a Whore: A Comedy & A Tragedy, an aptly titled show of dizzying and wild polarities...feels immediately bizarre and fantastical, featuring chicken feet, decapitated heads, sea shells, cakes, blood and other unexpected sculptures…[in] a layered, multivalent display of artistic prowess."
Nature is a Whore: A Comedy & A Tragedy, Solo Exhibition at The Hole, New York, NY, September 7 - October 30, 2022
Nature is a Whore: A Comedy & A Tragedy, Exhibition Dates: September 7 - October 30, 2022, Opening Reception: September 7, 6-8pm at The Hole, 312 Bowery, NYC.
”All of the work brings to mind the powerful words of Carmen Gimézes Smith in her poem Fragments From the Confessions, ‘Decoupage the jar with mouths, cut from Cosmo, mister death, fill it with our minstrel blood, or the placenta from our collective lacunae, grow lascivious magnolias in it, heavy lipped and lush with pollen, the jar houses my illusions, of eating men like hairballs.’” Excerpt from the press release by Sarah Walko
Antiques Magazine, The Curious Object Podcast: "Craft and the Age of Mechanical Reproduction"
The amphora demonstrates what I am trying to do with ceramics, “which is to express and show dichotomies and polarities…[such as] low brow and high brow, the profane and the sacred, utility and absurdity…[The vessel form] is a departure point for these ideas.”
Listen to this panel discussion on the Curious Object Podcast HERE
“Jackson’s split heads in shiny pastel and metallic glazes contort animal forms into something demonic, fantastical, and yonic.”
Read the full Hyperallergic review of “Earth Oracles” at Mayten’s Project’s HERE. Pictured here: Indigo Kush 2016; Media: Ceramic, glaze, luster; 20 x 13 x 12 inches
Juxtapoz Magazine
“What Comes After: A Group Show @ The Wassaic Project, Wassaic, NY” by Sasha Bogojev
December 30, 2021
“Jackson’s creation, that was built from 800 lbs of raw clay, serves as a monument to the death of pop culture, drawing inspiration from the tradition of vanitas, still life painting, and momento mori, as well as the ongoing influences of the pandemic on our everyday lives.”
Raw Clay Pop Culture Vanitas 2021; See more views of this piece HERE & Read Juxtapoz review HERE
Playing the Blues: The History of Blue and White Ceramics, a virtual panel discussion on blue & white historical & contemporary ceramics.
Moderated by Artmuse’s Natasha Schlesinger and Dinner Gallery’s Cline Mo. Featuring artists Sin-ying Ho, Roxanne Jackson, Elif Uras and Jstn Clmn.
May 27, 2021
LINK (Start at 1:00)
METAL MAGAZINE
“Roxanne Jackson: The Vulnerable Beasts Tampering With Tradition”
by Vanessa Murrell
March 26, 2021